Untitled III

Diluted, transparent, with flashes of light, worked in an unusual way, by hand, and in rare cases with a brush, led her to the thematic release. The contact of the hands with the surface of the canvas acts as a direct way of transfusing moods, internal vibrations, but without them being diverted to impressions, let alone to brain inventions. The abstraction is already conceived in the first section with the birds flying. These works distinguished for the extreme austerity of the composition, the often three-part horizontal layout, the oligochromia. Disciplined expression intensifies the symbolism of the bird's flight, inviting the viewer to enter an ambiguous, sometimes threatening, sometimes friendly, charming in its vagueness.

Katia Kilesopoulou

Dr. Art History